Figure 18, 2026.

Vinyl. Poem excerpted from a publication titled Figures of Transmission. Exhibition view from the :/<repair show at Ulises Bookstore in April 2026.

Can a Ghost Die? 2024. Oxidized Fr-4 Boards, various sizes.

I manipulated and imprinted the imagery by layering vinyl and other materials onto copper fr-4 boards and then oxidizing them multiple times, creating “printed” layers. The process is a sort of corrosive analog of the process of printing a circuit board.

Fr-4 boards are fiberglass boards inlaid with flame resistant epoxy, and laminated with a copper sheet on one or both sides. They are manufactured as a substrate for printed circuit boards and are very widely used for the application: I use fr-4 as the base material in almost every “traditional” pcb I’ve made. These works are an intervention on the e waste stream, plucked out of the middle of manufacturing and created through processes of oxidation and decay.

Handmade Synth Interfaces and Performance Workshop, 2024.

Media from the Handmade Synth Interfaces and Performance Workshop I led at Pig Iron Theatre Company as part of the Philadelphia Fringe Festival in collaboration with Cannonball Arts. Participants made variable resistors from everyday materials and attached them to a simple synthesizer as an interface to play the instrument. It features a custom circuit board with my drawings and writing.

Homemade Speakers, 2024.

A series of speaker experiments I made from hand, using a vinyl cutter, soldering iron, and wrapping copper wire around a spool of thread.

Schematic Poems, 2020.

This is a selection of poems I wrote on schematic diagrams of electronic circuits. I see the schematic poems as interventions within the practice of diagramming, investigating the textual elements at play within electronics and their representations. I chose circuits I was working closely with at the time, many of which are common to ubiquitous IC’s. These poems were a part of my graduate thesis project.